Upload a library. Tell us the wall. Hangset selects the photographs that belong, arranges them in a considered composition, and returns up to 8 gallery wall recommendations with full print specifications — ready to take to any framer.
These five images are the only ones in the collection that share the warm desert-earth palette and the geological grandeur theme tightly enough to form a monochromatic wall without compromise.
Having one clearly dominant masterpiece and four strong but supporting images is exactly the scenario this layout was designed for — the large photo leads and the smaller four amplify without competing.
The Wave commands the left as the largest photo, drawing the eye first; the four cluster images surround it with variations on the same warm, vast-landscape theme, so the eye moves naturally from the anchor outward and back without getting lost.
Warm ochre, burnt rust, and sandstone dominate from edge to edge — a monochromatic palette where every photo feels like a different facet of the same sun-baked earth. The only relief is a sliver of cool sky in Horseshoe Bend, which makes the warmth feel even richer by contrast.
The near-total warmth of the palette — five consecutive ochre-and-rust images with almost no cool relief — risks feeling oppressive in a room with warm-painted walls or amber lighting; it demands a neutral or cool interior to breathe.
Drop in a folder, an album, a trip — three hundred photographs is fine. Hangset works on real libraries, not pre-curated portfolio sets. Tell it where the wall is — above a sofa, a console, a headboard — and how wide it runs. That's the entire setup.
Every photograph is scored on the five criteria a working photo editor would use — composition, light, technical execution, the moment, and impact — so you can see immediately which photographs are the strongest candidates for your wall. Color temperature, luminance, and visual weight are also measured at this stage; that data is what the composition step uses to build arrangements that actually hold together. You can override any score; the system shows its reasoning.
The system evaluates your eligible photographs against multiple gallery formats — triptych, asymmetric, salon, classic grid — and returns the arrangements that fit your photographs and your wall. Each comes with a written rationale and complete print specifications: photo sizes, mat widths, frame dimensions, gap measurements. Take them to any framer.
Many tools help you visualize a single photograph on a wall. None help you take a library, decide which photographs belong, and arrange them. That gap is what Hangset fills.
All features are included on both tiers. The only difference is the number of projects you can run.
Print fulfilment is handled by your framer or print lab. Hangset does not sell prints.
Each is a real recommendation produced by the system, paired with the curatorial rationale it returned. The output is the proof.
Three street scenes — Vernazza at the edge of night, a German old town under lamplight, two figures before a Kyoto pagoda — bound by analogous blue-hour palettes and matched warm-window accents. Hung as an even triptych in clean white moulding, the eye travels left to right across a single tonal family.
Five aerial and coastal frames in a single horizontal row, sized to read at a glance from across the room. A shared teal-and-sand palette holds the line together while subject variety — lagoon, sandbar, fjord, surf, karst — keeps the run from feeling repetitive. Best suited to a long wall above a sofa or console.
Eight family photographs hung in the older European salon tradition — varied sizes, walnut frames, a single warm-and-silhouette tonal family. The eye is drawn around the wall rather than across it. Mat widths are calibrated so the visual gaps read as even despite the mixed orientations.
